Upload your performance. Get matched to the right auditions. No pay-to-play. Ever.
Eleven casting hubs, one profile. HoverTap a city to see what is calling.
Matched on ability and style, never on what you pay.
Casting directors see the whole company, not just the front row.
Every artist gets the same shot at the roles that fit. Same light, same stage.
Auditions, master classes, and coaching in one place to help your craft take off.
Watch the minute, then take your seat. From upload to callback, every seat is free.
Your strongest tape, your training, your range. Five minutes and you are on the books.
Your tape is read the way a good casting director reads it: range, style, fit. Then matched.
Prep built for the room you are walking into, or the self-tape you are about to send.
Masterclasses in the order that gets you into bigger rooms.
19 universities, studios, companies and casting platforms PerformaMatch works alongside. Turn the pages.
Universities, theatre companies, dance studios, casting platforms and the studios in between. 19 partners, 19 more doors.
Produced in association with the performing arts community of New York and beyond.
Casting directors, companies and schools: the door is open. Join the programme and your calls reach the whole company, not just the front row.
Brown Data Science InitiativeResearch partner · Brown University
Columbia Data Science InstituteResearch partner · Columbia University
Brown TAPSAcademic partner · Theatre Arts & Performance Studies, Brown
NICEResearch partner · Nexus for IntelligeCE, AI research community
The Barrow GroupTraining partner · Theatre company and school, NYC
Houses on the MoonTheatre partner · Plays and workshops for communities
Irvine Theater CompanyTheatre partner · Immersive, technology-led theatre
Off the Leash ProductionsProduction partner · Theatre and video production
Fred Astaire NY DowntownDance partner · Dance studio, New York
American Liberty BalletDance partner · Ballet company
Women in DanceCommunity partner · Dance organization
Dance partners bring company classes, open calls and workshops onto the board, matched to your training and your reel.
DirectSubmitCasting partner · Submission platform
Theatre Resources UnlimitedIndustry partner · Producer and theatre network
Ensemble Performing ArtsEducation partner · Performing arts schools
Adder IndustriesWellbeing partner · Human performance and wellbeing
RacocoPerformance partner · Multidisciplinary performance company
Taproot CreativesArtists partner · Creative collective
Oragon StudioPost-production partner · Film colour grading, Japan
Parlor Social ClubCommunity partner · Members’ social club, New York
Tonight's company, as printed in the programme.
I needed something that gets how performers with unique interests actually work, and PerformaMatch does that.
It looks at everything you do instead of limiting you to one lane of work.
Their match analysis helps me understand really quickly if I’m a fit for a role. I don’t have to click into every single posting.
PerformaMatch doesn’t replace the hustle, nothing does, but it makes the hustle make sense.
It turns a lesson into real, rigorous training. My students walk onto the floor knowing that they are ready.
It makes me a better teacher, and it makes my students grow.
The American market is not a closed door anymore. It’s just a big bunch of opportunities.
I was finally getting booked with the brands I wanted to.
I have never had a platform look at my actual body of work and tell me something useful about it.
Nobody knows what the future holds. I’m only inviting you to join me in building one that embraces new possibilities while preserving the very best of the performing arts, and keeping it all human.
One tape, five minutes, and this star has your name on it.
Post a role. Get a shortlist ranked by fit, not by who paid to be at the front of the line.
The stage door is open. Every performer admitted, no fees. Premium adds the crew.
Across eleven capitals, the same story: the roles finally fit. Tapes are read for range and style, matches arrive scored, and the pay-to-play toll booth is gone.
"No boosting. No buried profiles. Just work that fits."A working artist, Chicago
Casting directors report shortlists ranked by fit rather than spend, and performers report evenings returned to them by a checklist that keeps itself.
Continued on the stage, nightly →
Nothing up the sleeve, nothing in the hat. Just your next role, in about five minutes. No smoke, no mirrors, no fees.
